Directed by: Seijun Suzuki
2001
/ 112 minutes
/ Unclassified 15+ (under 15s must be accompanied by an adult; contains violence and sexual references)
“Dogs follow masters, but I’m a stray cat.”
The beautiful and deadly Stray Cat is ranked number three in The Guild, an underground organisation of assassins. Though she doesn’t know who the leaders and members are or even if the organisation actually exists, she is issued assignments by a mysterious woman named Sayoko Uekyō who functions as the intermediary between The Guild and Stray Cat.
When Sayoko assigns her a new target, The Guild’s number one assassin, Hundred Eyes, Stray Cat’s hunger for power and status wins out and she embarks on a hunt to claw her way to the top, stylishly defeating every assassin in her way.
Thirty years after his controversial Branded to Kill, master filmmaker Seijun Suzuki returns with the stylish and stunning sequel-yet-not-quite-a-sequel Pistol Opera—a celebration of Suzuki’s signature style, complete with outlandish yet tight storylines, offbeat editing, lavish colour and over-the-top action.
Art Gallery of NSW, Sydney
Art Gallery of NSW, Sydney
General admission only
Please arrive 30 minutes before the screening
QAGOMA, Brisbane
General admission only
Please arrive 30 minutes before the screening
QAGOMA, Brisbane
Director: Seijun Suzuki
Script Supervisor: Kazunori Ito
Cinematographer: Yonezo Maeda
Production Design by: Takeo Kimura
Special Effects by: Shinji Higuchi
Editor: Akira Suzuki
Cast: Makiko Esumi, Sayoko Yamaguchi, Hanae Kan, Mikijiro Hira, Kirin Kiki, Masatoshi Nagase, Haruko Kato and Woudstra Jan
Genre: Special Series
Language(s): In Japanese with English subtitles
Format: 35mm colour
This film is part of the JFF Classics 2020 program, Provocation and Disruption: Radical Japanese Filmmaking from the 1960s to the 2000s.
From subversive Japanese New Wave cinema to surrealist psychedelic expressions and gritty cyberpunk, Provocation and Disruption features boundary-shattering masterpieces from avant-garde Japanese auteurs including Seijun Suzuki, Shinya Tsukamoto and Nobuhiko Ōbayashi. The program is all about the poetic, the abstract, the visceral and the abrasive in visionary Japanese cinema. This program broadly encapsulates films that were fiercely uncompromising and transcended convention, each leaving its unique mark on Japan’s film industry.